TALES FROM THE CAPITAL CITY - V

THE KING'S CRAFTSMEN

I have mentioned about one of my ancestor-N. Padmanabhan Achari in one of my previous blogs. Padmanabhan Achari’s father and grandfather were also gifted craftsmen who played an important role in promoting ivory carving in Travancore.

Kochu Kunju Achari a.k.a. Ananthapadmanabhan Achari

The first known ancestor of the family who clearly appears in Travancore history is Kochu Kunju Achari, better known as Anantha Padmanabhan Achari. Kochu Kunju Achari was born in Navaikulam in early 1800s; details about his parents are not known. When he grew up he became a well-known craftsman. He became a master ivory carver and later played an important role in introducing ivory carving in Travancore. Not many details are known of his personal life except that he married from Vakkom and had two sons- Neelakandan Achari and Keshavan Achari.

Kochu Kunju Achari and his son Neelakandan Achari - Pictures from the private collection of K. Hari.

During Maharaja Swathi Thirunal’s reign (1829-1847), Kochu Kunju Achari was invited to the capital city by the Dewan to make a golden chariot for the king. Kochu Kunju along with his son Neelakandan Achari, Pandaram vaka Achari of Manacaud Putten Veedu and other craftsmen made the richly gilt and splendid car for the king in 1842, under the supervision of Veeraswamy Naidu. The design was influenced by the description of Arjuna’s chariot in Mahabharata. Even European engineers have expressed their surprise at the native workmanship displayed in its execution.

Swathi Thirunal and his brother Uthram Thirunal.

Sree Chithira Thirunal Bala Rama Varma seated in the golden chariot.

During the reign of Uthram Thirunal Marthanda Varma (1847-1860), Kochu Kunju Achari and his son Neelakandan Achari made an ivory throne for the London Exhibition of 1851, which was held at the great crystal palace.

The great crystal palace.

In AD 1849, the Madras government informed the Maharajah, HH Uthram Thirunal Marthanda Varma, of the conducting of a great exhibition in London and requested His Highness’s government to make suitable contributions. The Maharajah, ordered a committee to be formed for this for which Maj.Gen Cullen, the Resident, Dr.Paterson, the Durbar Physician, Mr.Kohlhoff, a judge of appeal court, and Ramen Menon, the Dewan Peishcar, were the members. P.Shangoonny Menon was the secretary to the committee.An ivory state chair in the shape of a throne, reflecting the craftsmanship of the Travancore artisans, was already under construction for the Maharajah’s use and at this juncture it was thought a fit present to be sent for the Great Exhibition. The Maharajah also desired that once the exhibition was over, the throne be accepted by the Queen Victoria as a token of HH’s regards and esteem. This was fully appreciated by the Resident, Major General Cullen and the Madras Government. Accordingly, the beautiful throne along with many carvings reflecting the Travancore workmanship was sent to England.

The following description of the chair appeared in an issue of the Scientific American:-

“Among the priceless treasures comprising the Jubilee presents of Queen Victoria, which have been sent to America by King Edward of England for exhibition at the world’s fair is a wonderful ivory chair and foot-stool. These were presented to the late Queen by the Maharajah of Travancore. The carving on the chair and foot – stool is a revelation of possibilities of art. The feet are in the form of lions’ paws, and the arms terminate in lions’ heads. The back is in the form of a shell, supported by elephants rampant. The seat is of alabaster, and the chair has a gold and silver tissue draper around the underside of the frame, finished with tassels and richly chased ormolu ornaments. The cushions are of green velvet embroidered in gold and silver thread. Every outside path of the chair is covered with delicately carved figures of men and animals.” (from P. Shangunni Menon's 'History of Travancore)

Kochu Kunju Achari and his son Neelakandan Achari played an important role for the development of Travancore School of Arts and ivory carving in Travancore. Kochu Kunju Achari settled in Petta, it was his eldest son Neelakandan Achari who established the famous Pinarammoodu family in Petta. For his services he was given the title 'Ananthapadmanabhan Achari'. Kochu Kunju Achari died in 1870’s.

Ananthapadmanabhan Achari and the Golden Chariot

One interesting story about Anantha Padmanabhan Achari is that after making the chariot in wood he was covering it with gold foil stickers brought from England. He opened the stickers using his teeth, one of the palace officials who happened to see this complained that Achari was eating the maharaja’s gold. It is said that the king went in disguise to see Kochu Kunju Achari’s workspace and watched him, realizing that he had misunderstood his master craftsman, called the officer and ordered him to give Kochu Kunju a tumbler of hot milk whenever he eats gold saying that otherwise gold will not digest easily.

Neelakandan Achari

Neelakandan Asari born in 1830’s in Chirayinkil was the eldest son of Kochu Kunju Achari, he had a younger brother named Keshavan Achari; details about Keshavan are not known. Neelakandan Achari and Keshavan Achari may have been trained by their father; later Neelakandan assisted his father in many of his major works. Neelakandan Achari settled in Petta. While staying there he taught drawing to Chattambi Swamy Thiruvadikal (1853-1924). Neelakandan Achari was a friend of the famed artist Raja Ravi Varma.

Neelakandan Achari was employed in Travancore School of Arts. Details about his wife are not known, the couple had five children. His eldest son Thanuvan Achari established Thazhasherri Veedu in Petta and his three younger sons Keshavan Achari, Padmanabhan Achari and Ramakrishnan Achari lived in Pinarammoodu Veedu. Neelakandan Achari had a daughter named Lekshmi Ammal who was good in carving; she was married to a member of Vayalil Veedu family. Neelakandan Achari died in 1907.

Newspaper report of Neelakandan Achari’s death - MALAYALA MANORAMA,1907 March 21.

TALES FROM THE CAPITAL CITY - IV

FAMILY HEIRLOOMS FROM VAIDYAN FAMILY

On my previous blog about Vaidyan C. Luke, I mentioned about the prized possessions of the family. Mr. Kurian who is my father’s friend was happy to show me those family precious heirlooms. I managed to take photographs of some of them.

An antique portrait of Visakam Tirunal Rama Varma by an unknown artist greets us when we enter the house. Silverfish damaged the lower side of the portrait many years back. The damaged portions were removed and Kurian’s father Alexander Koshy framed the portrait.

On its right side is a large framed photograph of C.Luke (which you can see in the previous blog), this picture is actually enlarged from an old family photo (see below) taken in 1880s.

The old family photo; C. Luke, his wife Mary & three children.

Photograph of Luke's wife Mary (c. 1930). Mary hailed from a wealthy family,they had many shops in Chalai Bazar.

L.C. Koshy with his wife Elizabeth on their wedding day and L.C. Koshy in his later years.

Luke's medicine box, with small racks for carrying bottles safely and the 'chana kallu' used for making medicines.

This circular stone block is an old clock! We can still see the markings on its surface. Now this stone is used as a step! The next piece is the map of Travancore, carved in wood.

TALES FROM THE CAPITAL CITY - III

PADMANABHAN ACHARI AND SIR C.P’S NOSE

‘Fix anything except broken hearts’- a good caption for an adhesive: broken hearts we can understand, but what about ‘broken nose’? Yes, I am telling about the most famous nose in the history of Travancore, though it doesn’t belong to Travancore by birth; that large dominant nose played an important role in rewriting the history of Travancore – Sir C.P. Ramaswamy Iyer’s nose.

Everyone knows about the turbulent situation our small state faced just before getting independence. On one side we have the eminent Dewan with his American Model government and on the other, the freedom fighters. I am not getting into the history of C.P’s nose damaged by K.C.S. Mani (according to Dr. R. Keshavan who treated C.P, the Dewan’s nose was not injured as everybody believed, he had injuries only on his cheek, neck and fingers), but the nose of a bust of Sir C.P had a similar fate.

K.C.S. Mani's attack on Sir. C.P. - Sketch by the author (2003).

Sir C.P. Ramaswamy Iyer in his later years.

At Thampanoor, there still stands a two storied building with the name ‘Sachivottama Sir C.P. Shashtiabdapoorthy Memorial Satram’ (opposite to the present transport bus station), built in 1940’s, the time when Sir C.P. was the Dewan of Travancore. Today the building is neglected; we hardly notice the structure hiding its facade behind hoardings and movie posters. But it did have a glorious past. In front of the lodge there was a small mandapam which housed a bust of the Dewan. In those days, our little capital city was one of the most progressive princely states in India. The roads were neat and less crowded and public buildings were well maintained. So the Memorial was well kept.

The bust was damaged by a group of people who gathered for a party meeting near Thampanoor. The attack was done at night and it is said that the nose of the statue was broken off. The news spread like fire and in no time reached the ears of the Dewan too. Messages were send to find out a master craftsman who could repair the statue. They didn’t had to search much, their man was just under their ‘nose’; the master craftsman who was employed in Travancore School of Arts as an ivory carver – N. Padmanabhan Achari (1881-1960)of the famous Pinarammoodu family, Pettah. Both his father and grandfather were master craftsmen who have rendered valuable services for the growth of ivory carving in Travancore. Padmanabhan Asari’s grandfather Kochu Kunju Achari was the ‘moothassari’ who made the golden chariot for Swathi Tirunal in 1842. Later, he and his son Neelakandan Achari made the ivory throne for the Great London Exhibition of 1851. Kochu Kunju Achari was given the title ‘Ananthapadmanabhan Achari’ by Uthram Tirunal Marthanda Varma. Padmanabhan Achari himself was a master ivory carver specialized in making sculptures.

N. Padmanabhan Achari - From the private collection of Sathya Moorthy.

Padmanabhan Achari who was in his 60’s at that time was leading a peaceful retired life in his house at Pettah. As I have said before, the period was a turbulent one with the national freedom movement gaining momentum. Clashes between freedom fighters and Travancore police commanded by the Dewan were common in all parts; Pettah was one among the most affected areas. Some of the infamous decisions of the Dewan such as the declaration for an ‘Independent Travancore’ and the installation of the ‘American Model’ government for Travancore led to wide spread discontent among the people. In Pettah police charged at a gathering conducted by Congress party. Three people were killed in firing.

When police came in search of Padmanabhan Achari, the family members panicked. They thought that the police came to question about the gruesome incidents that took place at Pettah. The present living family members still remember the horror that engulfed the house then. But in actuality, the police came to talk about repairing the bust as soon as possible. Padmanabhan had only one demand; as it was not possible to take the bust to his house, he wanted them to cover up the area around it; so that nobody can see him working. Soon, a temporary enclosure was made of thatched coconut leaves around the bust, with complete police protection. Padmanabhan Achari completed the work in a few days. He moulded the missing parts using Plaster of Paris.

Years passed by and now the building stands as the ghost of that glorious era, a silent witness to the happenings of that time. The mandapam was demolished and we don’t have any idea about the current whereabouts of the bust and nobody knows about the craftsman who repaired it.

Well I think Padmanabhan Achari wanted it like that. Owing to the violent scenario which persisted at that time, particularly in Pettah, it was better to remain anonymous.

Sharat Sunder Rajeev.
16-10-2008.

TALES FROM THE CAPITAL CITY - II

VAIDYAN C. LUKE

Nowadays no one notices the small street named Luke’s lane near G.P.O, even those who know the lane doesn’t bother to know how it got the name. At the end of the street there’s an iron gate and a small board with the name ‘Cookies Holiday Inn’. Once you enter, you are inside another world, with an ambience you will never hope to find in the very heart of the bustling city, here time seems to have come to a halt. On the right is an old house with tiled roof, later additions has diminished its beauty and in course of time it has lost most of its former grandeur. Once it was a fairly large ‘nalukettu’ with all traditional elements like courtyard and ‘pattayam’. On the right side of the house is a very old sapota tree (Achras sapota) said to be about 200-250 years old.

This was the house of the great Vaidyan, C.Luke (1843-1894), the eye-specialist who surpassed even European doctors with his knowledge of traditional medicines, handed down from his fore fathers. Luke’s ancestors were the members of Thayyil family of Thevalakkara. His ancestors were Brahmins who later embraced Christianity (Krishnan Nampoothiri and his wife Lekshmi Antharjanam (from Kothamangalam) of Thazhamangalathu Madam got attracted to the teachings of Christ and accepted Christianity. Thomman (Jr.), the only son of Krishnan (Thomman) and Lekshmi (Mariyam) learned Sanskrit and Medicine from Viratarajaguru and became a famous scholar and physician. During this period, Maharaja of Travancore invited Thomman (Jr.) to treat King-mother’s eye disease. Thomman succeeded in relieving the eye pain of the King-mother in first attempt itself. Pleased by this, the King gave the title ‘Vaidyan’ to Thomman and his successors). Luke’s father was a well-known figure, as Dewan T. Madhava Row in a letter to Luke says that he personally knows his father who was an able oculist.

Luke and his brother came to the capital city from Kollam during the reign of Aayilyam Thirunal Rama Varma. As the practitioners of traditional medicines they had to face many challenges as English medicine was gaining its hold in Travancore at that time. Most of the educated noble families opted for English medicines.

But the talented brothers with their sheer dedication managed to get the patronage of many noble families including the royal family. An important achievement in their career was their successful treatment of the Dewan’s son T. Ananda Row (1852-1919) in 1871 when the latter was preparing for B.A. examination. In a letter by T. Madhava Row to Luke dated 28th May 1871 the dewan expresses his gratitude to the brothers who treated his son’s eye disorder. “Two well known European members of the medical profession were successively consulted, but their treatment showed no permanent benefit…… You undertook the treatment accordingly. With apparently very simple appliances and mild treatment you were able in a very moderate time to accomplish what you had promised.” from these words of the Dewan we can get an idea of the simple treatment techniques employed by the brothers. The Dewan further expressed his gratitude by sending Luke a purse containing 150 British Rupees, suggesting him to buy a watch or books with the money.

Luke was appointed as the palace Vaidyan by Maharaja Visakam Thirunal Rama Varma and he was bestowed with a Veerasringala. Luke was employed in Maharaja’s College (University College) as a teacher of scriptures. He played an important role in establishing the Syrian Church in Statue. Luke married Mary, the couple had three children, his eldest son L.C. Koshy was also a prominent figure, he was the curator of the Museum and was also employed in Huzur Kacherri and was the supervisor in charge of the street lighting.

The Maharajas College and the St. George’s Orthodox Syrian Cathedral, Statue.

C. Luke who served three kings starting from Aayilyam Thirunal to Sree Moolam Thirunal died in 1894; he was buried in CSI Christ Church at Palayam. The old tombstone with the inscription ‘Government Oculist’ is still there in the church graveyard.

Luke’s grandson Alexander Koshy, who even though not a famous Vaidyan, kept alive his family traditions, treasured the knowledge handed down to him by his ancestors. Some old palm leaf documents on traditional medicine, antique furniture, photographs, portraits and the grinding stones in various sizes are preserved by the family members. A true copy of Sir.T. Madhava Row’s letter to Luke is one of their priced pocessions. Kurian, the great- grandson of C. Luke who lives there in a small house made by his father is proud to be a member of this illustrious family.

Before you step out of the gate and merge into the busy streets of the city, take a deep breath and look back, can you still see a man with his large head gear and black coat with the medicine box and people waiting to see him?

Sharat Sunder Rajeev.
12-10-2008.

TALES FROM THE CAPITAL CITY - I

MAHARAJA'S COLLEGE FOR WOMEN

Rani Gouri Parvathy Bai who ruled Travancore from 1814 to 1829 gave permission to a Christian Missionary to start a school in Nagarcoil; later Swathi Thirunal, her nephew who ruled from 1829 to 1847 patronized English education in Travancore. It was during the time of Uthram Thirunal 1847-1860 that English education was made common and more importance was given to girl’s education in Travancore.

Rani Gouri Parvathy Bai

During the reign of Aayilyam Thirunal (1860-1880) the University College was setup. A school for girls was started in Palayam in front of the University College. Initially it was a school for Christian girls; in 1864 it was opened for girls belonging to all religions. In 1890 the school was accredited by the Madras University and it became a second grade college. In 1895 during the reign of Sree Moolam Thirunal, the name of the college was changed to Maharaja’s College for Women. In 1897 the college which started with just three Christian students had 400 students in 1909 when a high school secondary training school was also added. In 1920 it became a first grade college and a hostel was also established in 1921. During early 1920’s the college was shifted to Thycaud.

The building in which the college now works was actually the residence of the civil surgeon of Travancore. It was built probably during the reign of Aayilyam Thirunal. The surgeon's bungalow was built on top of a small hill known as Thycaud kunnu. According to Prof. Hridayakumari, the renowned writer and the former Principal of the college, the property in which the old building now stands once belong to the family of Thycattil Kurups, who were the landlords of the area. This land was later taken over by the government of Travancore. In 1920’s when the college started functioning the last surgeon who was living there was Dr. Thaliyath.

In 1923 the Assembly Hall, the Music Department and the Mathematics Department were constructed by P.W.D, it was under the supervision of H.H. Sethu Lekshmi Bai and her Diwan D.H. Watts. Later, Watt’s sister became the Principal of the college. The semi circular Mathematics Department had a facade which was influenced by the old Egyptian architectural style. The master mind behind this was engineer Mallapalli Modayil Mani, the famed govt. engineer of Travancore. Mr. Watts was particularly interested in having a separate Music Department and had it designed like a temple.

The master minds - H.H. Sethu Lekshmi Bayi, Dewan Watts and Chief Engineer M.Mani.

Old pictures of the semicircular Mathematics Department.

ABOUT THE ARCHITECTURAL STYLE

The adaptations of European style to the climatic needs and the synthesis with traditional style are best seen in the bungalow architecture. The comfort requirement in the hot humid climate prompted the European settlers to go in for buildings with large rooms, high ceiling and verandah all around. For upper floor rooms balconies were adopted as a necessary feature, originating from the Portuguese construction. The portico, the shaded spot for passage from one building to another was added.

Corridor, Womens College, Thiruvananthapuram- Photograph taken by the author.

The solid wooden shutter of doors and windows underwent change to ribbed elements –venetian blinds- permitting air circulation and privacy.

TIMELINE - HISTROY OF THE COLLEGE

1817 – Rani Gouri Parvathi Bai stated that education is necessary to ensure progress of the state as a whole.
1818 – The first English school in the state was established at Nagercoil.
1834 - Maharajah Uthradam Tirunal Marthanda Varma visited a school in Nagercoil and invited the headmaster, Mr. Roberts to start a similar school in Travancore.
1859 – A girl’s school started at Palayam.
1864 – Started as “Sircar Girls’ School”
1895 – Shifted to the building opposite to The University College and upgraded to second Grade College.
1897 – Named as “Maharaja’s Girls’ college”
1909 – Permission for starting Degree courses
1920 – Upgraded to first degree college and affiliated to Madras University.
1923 – Shifted to the present building.
1927 – Central building which houses mathematics, psychology and philosophy was constructed.
1937 – University of Travancore was founded and Women’s college was one of the first seven colleges to be affiliated to it.
1957 – University of Kerala was founded and college was affiliated to it.

PRINCIPALS

First principal was Miss. Sarah Blunt Williams. (1895-1910)
Miss D.H.Watts B.A. (1910-1928)
Miss Louise Ouwerkerk (Established Economics Dept.)
First Indian principal: Miss Anna Nidhin.

Note: I thank Meenu, my classmate during B.Arch who helped in collecting and compiling the history of the College as part of our documentation project.

For more information about the Thycattil Kurups:

http://rakbhima.blogspot.com/2009/02/kayamkulam-war-kurups-lane.html